Tuesday, 1 March 2011

T M Krishna in concert

I attended an ‘eventful’ TM Krishna concert at Odakkattur Mutt Bangalore on Feb 27th.  Good Sunday evening break for me and a quite time for my husband as he watched the India-England ICC world cup match. I learnt later that teaching cricket to our 4 year old daughter eases the baby-sitting process! Well, good for him J But I am digressing here.
The concert started at 6.25pm  after multiple rounds of mike adjustments , base and sharp tweaks for TMK and also Sriram Kumar , Arun Prakash and Guruprasad (Violin, Mridangam and Ghatam respectively). 
The videographer standing right in front of the stage took some more time – TMK wasn’t happy with the ‘flood lights’.
Those aside, what a concert it was! He started with the Bhairavi swarajati and it was a beautiful change from the norm when TMK asked SRK to play the lead for the charanam’s , gesturing him to pause at the right points to sing the kriti.
Next twist came in the form of Sahana alapana. I was hoping for ‘Giripai’ after a soulful violin follow-up.  Instead, he started ‘Sri Nathadi Guruguho’ in Maya Malava Gowla to many raised eyebrows. After duly conferring with SRK, TMK said if anyone was wondering, that there’s no connection between Sahana Alaapana and MMG kriti. ‘Adhu thani , idhu thani’. It was interesting I must admit. I cannot comment on the techniques like Kalam and kanakku. For me Carnatic music still remains the inner experience.
‘Kana Kann Vendum’ in Kambodhi was the master piece of the evening. The photographer thought this was the right time for a good capture and stood in front of the stage. TMK paused, posed and gestured ‘is it over?’, the photographer nodded, moved away and Kambodhi resumed its flow. Only to be interrupted again, when the photographer went up the stage, stood next to the musicians’ platform and started clicking pictures of the audience. The incredulous look on TMK’s face was priceless and did evoke a good laughter in the hall! The elaborate neraval at ‘Adhikara nandi sevai’ received a richly deserved thundering applause.
In perfect diction TMK sang ‘Sabhabathikku Veru Deivam’ in Abhogi.  A virutham with Anandbhairavi , Desh , SindhuBhairavi and Behag followed and continued with ‘Irakkam Varaamal’ in Behag. By then the Thukkada requests had started from the audience. TMK asked ‘Devara nama venuma , Dasara kriti venuma ? Correct-a sollungo.  Till now whatever I sang were Devara namas’.  I think the audience settled on Dasara Kriti. At that point some familiar mami must have re-entered the hall. TMK said ‘Oh mami thirumbi vandhuttela, thappichennu nenachen ‘. Some more laughter in the hall.
Closed the concert with the Tiruppugazh ‘Nadavindhu kaladhi’ in Chenchuruti.  Does TMK need to refer to a notebook for a popular tamil composition like this?
These days TMK’s concerts are memorable not just for the musical bliss but also for the ‘scenarios’ during the concerts. I have not seen SSI perform in person, but most of the audio recordings have him getting the audience to laugh or some pricky comment about the fan or the mike! Like guru like sishya I suppose!
I bought the Tamil translation of the coffee table book co-authored by TMK and Bombay Jayashri titled ‘Voices within’.  The Tamil version was from Veeyesvee. Made for a good and easy read , with some rare pictures of the doyens of Carnatic music. 
Bhairavi swarajati and Kambodhi lingered on in my mind for a long time!
Note: After I returned home, I found hubby dejected at India’s inability to defend a good score and were going through the losing game. But tides turned in favour of India with 2 quick wickets. Coincidence ofcourse! J

Temples and more


There is something magical about Kumbakonam-Tanjore  for me and my husband. It is not just about the old temples, the intriguing names of the gods and goddesses and the great architecture the temples boast of -  It is the small villages that we pass through and the thousand images that it brings to your mind about what the name holds: Semmangudi, Thiruvavaduthurai, Maharajapuram , Oothukkadu, Sikkal..; the culinary experience this region offers to seasoned south-indian tastebuds ;  the perfect backdrop to talk endlessly about names , places and events our all time favorite Tamil literary works. When I spotted Thukkampalayam Street in a Kumbakonam route map my joy knew no bounds. To me that is where Yamuna (T Janakiraman’s Mogamul) lives on.  Passing through the dusty roads in Papanasam , we were debating which of the low-roofed houses fit the description of Babu’s (Mogamul again) house.  Sikkal brought to mind Kothamangalam Subbu’s characterization of the Nadaswara Vidwan Shanmugasundaram. Devasiriya mandapam in Tiruvaroor reminded us of Mohanambal’s Thillana and Shanmugasundaram ‘s experiments with the Pari Nayanam. 

We visited Kumbakonam to offer few long pending prayers. I would advise to have Kumbakonam as your base and travel around.  We stayed at the Le garden on Naal Road.  Clean, functional hotel. Served our need as we were out during the day on all the 3 days we stayed there. Almost every temple has detailed information boards with Sthala puranams, compositions, and festivals of the town.  And to my delight every temple has the name of the God and goddess in Tamil and Sanskrit – ringing equally beautiful and poetic.

We started with Darasuram.  Archaelogical Survey of India has done a commendable job maintaining the site.  Darasuram has one of the four temples of the Chola era with Vimanagopurams. Others are at Tirubhuvanam, Gangai Konda Cholapuram and Tanjavur. Statues and stones excavated from the site are preserved in an enclosure. As is the case always, there was a ‘friendly’ guide who was willing to show us around.  The Kubera statue with Sanganidhi and Padumanidhi was interesting.  We then proceeded to Thiruvalanchuzhi (Shweta Ganapathi,  ‘Karungal palagani’ - Stone window) and visited Swamimalai.  After Tirukkarugavur we drove to Papanasam ,  Tanjavur (Punnainallur, Palace, Library and the periya koil).  Conservation work is underway at the periya koil.   

We stopped at a small village ‘Palli Agraharamm’ (Lakshmi Narasimhar) enroute to Tiruvaiyaru.  Paid homage at the Saint Tyagaraja’s  Samadhi and went to Panchanadhiswarar temple (Lord of five rivers).    We could not visit Thyagaraja swamigal’s house at Tirumanjana veedi  as there was a funeral starting in a nearby house and the road was blocked.  We missed the special delicacy famous here – ‘Ashoka’.  Next time!
Then covered Kabhisthalam (Gajendra moksha kshetram) and Innambur.  God here is named ‘Aksharapuriswarar’ or ‘Ezhutharinathar’.  Popular with  students  as praying here improves memory power, verbal language abilities.  Ended the day with Thiruppurambiam (Pralayam kattha vinayagar).  It is kind of charming that the  Archarkar(priest) in many temples who typically stays next to the temples, comes running to open the temple when he sees a car/taxi stopping by.

When you are in Kumbakonam next time,  do not miss a visit to the famous Venkataramana hotel. Crispy rava dosas, malligaippoo idlis and getti (Thick) chutney. Wash it down with filter coffee. The smell of ghee in your hands and the bitterness of the coffee in  your tongue will stay on for some time.
We set out early next day and had a long itinerary planned.  We decided to go in search of the celebrated delicacies of this regions. Saapattu Puranam was our guidebook.  After Valangaiman, we found our way to the Milk society at Needamangalam for the Thirattuppal.  Our luck, there was a milk union strike that day!  Greenery all around, the Rajagopalaswamy temple tank at  Mannarkudi is the 2nd biggest next to Tiruvaroor. We then went to Kunjanchetty Mittaikadai .  A small window shop with dark walls typical of this side selling onion pakkodas , mannarkudi halwa and inippu sevu packed in newspaper packets!

On the way to Tiruvaroor there’s a little village named Koothanallor.  Not  famous  for any temples here.  It is a prosperous village with big bungalows on either side of the road, mostly inhabited by families of Muslims working in Gulf countries.  We braved the bumpy, dusty winding roads and made it to ‘Moulana bakery’ for their signature special Damrood .  It is a cake/pastry made of rava, ghee, powdered sugar, cashew, almonds and egg.   In neat packaging, it is a exported item outside India as well.  I am not exaggerating - the taste is out-of-the world and I am contemplating writing to them to deliver some to Bangalore.  Another find there was the butter biscuits – with a tongue twister for a name in tamil ‘Gnanagatthan’. It definitely brought culinary wisdom – melt-in-your-mouth freshness! 

Tiruvaroor has an immense visual impact on you - the sprawling temple complex, beauty of the sannidhis, Rajagopurams, Kamalalayakkulam, Stone chariot, streets broad enough for the processions (Ratha veedhis).  The kritis of Dikshitar on  Vathapi Ganapathi and Tyagesar  reflect the and grandeur of the temple; Kamalambal navavarnam  mirrors the beauty of the goddess. The famous chariot is dismantled as the build and wood is getting weaker.  A renovation work is in progress and we made a silent promise to return after the Kumbabishekam in next 2 years.

Lemon rice, Tomato rice and Thayir sadam – Essential accompaniments for long road journeys!  We stopped at SRR cafĂ© enroute to Velankanni (famous for their kattu sadam packets).  We had to wait in a long queue – service starts exactly at 12 noon only!  Let me just say – it was worth the wait. We experienced the trade of prayer at Nagur durgah and Tirunallar – highly avoidable unless you have a mandate offering to complete there. At Thirukkadayur atleast a dozen senior couples were celebrating their Sashtiapdapurthi / Sadabhishekam at the Praharams.  The temple elephant and cows were busy switching from one family to the other for the Gowpujai and Gajapujai’s.  Marriage business is indeed lucrative whether it is at Iruvadhu (Twenty) or Aruvadhu (Sixty)! 

Vaidheeswaran koil was the last stop for the day.  There is something peaceful about waiting for the sannadhi screens to open for the evening aarti.  At the Thaiyal Nayagi sannidhi the quiet crowd was waiting.  A mother and her two daughters started singing ‘Karpagavalli Nin porpadhangal’ . Anandabhairavi added to the serene ambience and few of us joined in.  Finished dinner at a famous restaurant named what-else-but ‘Sadabhishekam’.

Started with Koothanur (temple for Saraswati) on Day 3. Students were the target audience for the Vidya homams as exams are approaching. They queued up in large numbers to place their exam hall tickets, pens and pencils for that extra edge over the others.  Visited Tiruvidaimarudur, Tirubhuvanam, Nachiyar koil and few local temples and boarded the train back to Bangalore. But not before savoring the Basundi at Kumbakonam Murari Sweets! 

As streets and sights of Kumbakonam faded by we started our planning for our next trip back.  There is indeed something about Kumbakonam!